[流行音乐] 施波尔：弦乐四重奏 

Composer: Louis Spohr
Soloist:
New Budapest Quartet:
András Kiss (violin I), Ferenc Balogh (violin II)
Lászlo Bársony (viola), Károly Botvay (cello)

Moscow Philharmonic Concertino Quartet:
Jaroslav Krasnikov (violin I), Sofia Krasnikova (violin II)
Olga Zhmaeva (viola), Victor Kozodov (cello)
Recorded: 1989-2003
Label: Marco Polo 8.223251-259,  8.226306-307
Release: 1989-2004
Format: FLACx10

注：这里不齐全，全部是17辑，这里只有其中10辑。希望有的朋友能补齐。

Vol.1
String Quartet No.27 in D minor, Op.84-1
I. Allegro Vivace
II. Larghetto
III. Scherzo
IV. Finale: Allegro
String Quartet No.28 in A major, Op.84-2
I. Allegro
II. Adagio
III. Scherzo
IV. Rondo: Allegretto

Vol.2
String Quartet No.29 in B minor, Op.84-3
I. Allegro
II. Menuetto, Moderato
III. Adagio
IV. Finale. Allegretto
String Quartet No.30 in A major, Op.93 "Quaduor brillant"
I. Andante, Allegro
II. Larghetto
III. Rondo. Allegretto

Vol.3
String Quartet No.1 in C major, Op.4-1
I. Allegro spiritoso
II. Menuetto. Allegretto
III. Adagio
IV. Allegro
String Quartet No.2 in G minor, Op.4-2
I. Allegro moderato
II. Poco adagio
III. Scherzo. Allegro
IV. Finale. Rondo. Vivace
String Quartet No.5 in D major, Op.15-2
I. Allegro moderato
II. Scherzo. Allegro vivace
III. Finale. Largo - Allegro molto

Vol.4
String Quartets No.3 in D minor, Op.11 "Quaduor brillant"
I. Allegro moderato
II. Adagio
III. Rondo
String Quartet No.4 in E flat major, Op.15-1
I. Allegro vivace
II. Andante
III. Menuetto. Allegretto
IV. Rondo. Presto
String Quartet No.6 in G minor, Op.27
I. Allegro moderato
II. Adagio
III. Menuetto. Allegretto
IV. Finale. Vivace

Vol.6
String Quartet No.15 in E flat major, Op.58-1
I. Allegro vivace
II. Adagio
III. Scherzo
IV. Rondo. Vivace
String Quartet No.16 in A minor, Op.58-2
I. Moderato
II. Andante von variazioni
III. Scherzo vivace
IV. Rondo all 'Espagnola

Vol.7
String Quartets No.11 in E major, Op.43 "Quaduor brillant"
I. Allegro
II. Adagio
III. Tempo di minuetto. Un poco vivace
String Quartet No.12 in C major, Op.45-1
I. Allegro
II. Scherzo. Vivace
III. Andante grazioso
IV. Finale. Presto

Vol.8
String Quartet No.13 in E minor, Op.45-2
I. Allegro vivace
II. Larghetto
III. Menuetto. Moderato
IV. Finale. Vivace
String Quartet No.14 in F minor, Op.45-3
I. Adagio - Allegro vivace
II. Adagio
III. Scherzo. Presto
IV. Finale. Vivace

Vol.9
String Quartet No.20 in A minor, Op.74-1
I. Allegro vivace
II. Larghetto con moto
III. Scherzo
IV. Rondo. Allegretto
String Quartet No.21 in B flat major, Op.74-2
I. Allegro vivace
II. Larghetto
III. Allegretto con variazioni
IV. Finale. Allegretto

Vol.10
String Quartet No.24 in G major, Op.82-2
I. Allegro
II. Adagio
III. Alla Polacca, Moderato
IV. Finale. Allegro
String Quartet No.25 in A minor, Op.82-3
I. Allegro
II. Andante
III. Scherzo. Vivace
IV. Finale. Andante - Allegro

Vol.11
String Quartet No.32 in C major, Op.141
I. Allegro moderato
II. Larghetto
III. Scherzo (Allegro)
IV. Finale (Presto)
String Quartet No.34 in E flat major, Op.152
I. Adagio - Allegro
II. Larghetto con moto
III. Menuetto
IV. Finale (Allegro)

在十八世纪末和十九世纪初的头三分之一的时间里，弦乐四重奏的领地扩大，技艺高超的演奏家将其用于自己的巡回音乐会，被称作“炫耀四重奏”[quatuor brillant] 或者“独奏四重奏”的这类作品由于突显第一小提琴的地位而引向它最极端的结果。在“炫耀四重奏”类型的作品中，除第一小提琴之外的几个声部完全起伴奏作用，不可能有任何通常室内乐的音乐效果。从社会功能来看，这一难以理解的准确意义是，由于它使巡回炫技演奏家重新恢复由专业和业余演奏者组成的小提琴、中提琴、大提琴临时组合的重奏，在任何小城镇演奏由其他声部作为和声与节奏背景的乐曲时，一般从不排练，演员的水平几乎不成问题，只要能数拍子就行。

那时的听众喜欢聆听效果明丽、织体简单的音乐，非常流行演出这样的作品。文献证实，有些听众，甚至有一定文化素养的听众，认为贝多芬早期的弦乐四重奏不易理解。施波尔创作了“炫耀四重奏”最优秀的范例。在他的三十部弦乐四重奏中，仔细地对两种类型加以区分，两者的标题名称不同，让独奏四重奏与协奏曲的相似性更为明显。“炫耀四重奏”与协奏曲一样是三乐章结构，而室内四重奏则有四个乐章。施波尔把皮埃尔·罗德非常流行的作品作为自己写作这种类型弦乐四重奏的样板。